A. W. S. Gilbert and Arthur Sullivan
B. George Bernard Shaw
C. Robert Corrigan
D. all but C
A. W. S. Gilbert and Arthur Sullivan
B. George Bernard Shaw
C. Robert Corrigan
D. all but C
A. a new market position for nonfiction writing and an exalted sense of the didactic function of the writer
B. a Puritanical distrust of fictions and a thirst for trivia
C. the forbiddingly high cost of threevolume novels and the difficulty of finding poetry in bookshops outside of London
D. the deconstruction of the truth-fiction dichotomy and an accompanying relativistic sense that every oion was of equal value
A. geology
B. evolution
C. discoveries in astronomy about stellar distances
D. all of the above
A. William Morris
B. John Ruskin
C. Edward FitzGerald
D. all but c
A. the use of pictorial description to construct visual images to represent the emotion or situation of the poem
B. sound as a means to express meaning
C. perspective, as in the dramatic monologue
D. all of the above
A. a farming technique aimed at maximizing productivity with the fewest tools
B. a moral arithmetic, which states that all humans aim to maximize the greatest pleasure to the greatest number
C. a critical methodology stating that all words have a single meaningful function within a given piece of literature
D. a philosophy dictating that we should only keep what we use on a daily basis.
A. economic independence
B. the Rights of Man
C. laissez-faire
D. enclosure
A. Republicans
B. Liberals
C. Radicals
D. both B and C
A. the fractal
B. the figment
C. the fragment
D. the aubade
A. William Blake
B. Alfred Lord Tennyson
C. Samuel Johnson
D. William Wordsworth