A. Jane Austen’s Emma
B. Mary Shelley’s Frankenstein
C. William Godwin’s Caleb Williams
D. Sir Walter Scott’s Waverley
A. the expurgation of indelicate language
B. the modernization of archaic vocabulary
C. the insertion of bawdy songs
D. the misspelling of simple words like theand and
A. Wollstonecraft’s Vindication of the Rights of Men
B. Paine’s Rights of Man
C. Godwin’s Enquiry Concerning Political Justice
D. Burke’s Reflections on the Revolution in France
A. the rhythmic expression of moral intuition
B. the spontaneous overflow of powerful feelings
C. the polite patter of a corrupted age
D. the divine gift of grace
A. troubadour
B. skald
C. chorister
D. bard
A. Prometheus
B. Satan
C. Cain
D. George III
A. Maria Edgeworth
B. Sir Walter Scott
C. Thomas De Quincey
D. Jane Austen
A. Mary Shelley and Percy Bysshe Shelley
B. William Wordsworth and Samuel Taylor Coleridge
C. Sir Walter Scott and Maria Edgeworth
D. Jane Austen and Charlotte Brontë
A. the lyric poem written in the first person
B. the sonnet
C. doggerel rhyme
D. the political tract
A. about half of middle class men
B. almost all working class men
C. all women
D. A, B and C