A. Byron’s Manfred
B. Coleridge’s Remorse
C. Shelley’s Prometheus Unbound
D. Shelley’s The Cenci
A. Byron’s Manfred
B. Coleridge’s Remorse
C. Shelley’s Prometheus Unbound
D. Shelley’s The Cenci
A. the fractal
B. the figment
C. the fragment
D. the aubade
A. The dramaturge and playwright had to be related.
B. All of the actors were male.
C. All of the actors were British.
D. The play was spoken.
A. opium
B. dreams
C. childhood
D. A, B and c
A. Mary Wollstonecraft and William Blake
B. Mary Wollstonecraft Shelley and Percy Bysshe Shelley
C. William Wordsworth and Samuel Taylor Coleridge
D. Charles Lamb and William Hazlitt
A. William Blake
B. Alfred Lord Tennyson
C. Samuel Johnson
D. William Wordsworth
A. partition
B. segregation
C. enclosure
D. division
A. Hand labor became less common with the invention of power-driven machinery.
B. Velcro replaced buttons and snaps.
C. Steam, as opposed to wind and water, became a primary source of power.
D. both A and C
A. the organization of a working class men’s choral group in Southern England
B. the Battle of Waterloo
C. the Peterloo Massacre
D. the storming of the Bastille
A. Too many of its readers were women.
B. It required less skill than other genres.
C. It lacked the classical pedigree of poetry and drama.
D. all of the above