A. William Shakespeare
B. Ben Jonson
C. Ben Jonson folios
D. English Renaissance theatre
A. William Shakespeare
B. Ben Jonson
C. Ben Jonson folios
D. English Renaissance theatre
A. William Shakespeare
B. Ben Jonson
C. Masque
D. A Midsummer Night’s Dream
A. Samaritan Hebrew language
B. Biblical Hebrew
C. Mishnaic Hebrew
D. Hebrew language
A. economic independence
B. the Rights of Man
C. laissez-faire
D. enclosure
A. London Magazine
B. The Spectator
C. The Edinburgh Review
D. a and c only
A. Republicans
B. Liberals
C. Radicals
D. both B and C
A. Hunnish epic
B. Gothic fiction
C. epistolary novel
D. meta-novel
A. The notoriety of the Lake School
B. Technological developments, such as the steam-driven printing press
C. Innovations in retailing, such as the cut-price sale of remaindered books
D. Increased literacy, thanks in large part to Sunday schools
A. the neo-classical influence of Pope and Dryden
B. the clumsiness of Shakespeare’s plots
C. the Orientalist fantasies of Coleridge
D. Wordsworth’s devotion to the ordinary and everyday
A. Wordsworth because he wanted to distinguish his poetry and the poetry of his friends from that of the ancien r´gime, especially satire
B. English historians half a century after the period ended
C. The Satanic Schoolof Byron, Percy Shelley, and their followers
D. Oliver Goldsmith in The Deserted Village (1770)