A. Reject all previous modes of literary theory
B. Focus on a return to traditional critical methods
C. Make use of different literary theories in order to develop new theories
D. Work only with ideas developed by post-Marxist theorists
A. Reject all previous modes of literary theory
B. Focus on a return to traditional critical methods
C. Make use of different literary theories in order to develop new theories
D. Work only with ideas developed by post-Marxist theorists
A. A term that suggests that a critic should study the structural and thematic elements of a poem rather than the effect it has on the emotions of the reader B. A term that describes the confusion between a poem and its result
C. An important term in the field of New Historicism
D. All of the above.
A. It is impossible to view a piece of literature as its author intended.
B. It is impossible to divorce a text from capitalist ideology.
C. It is impossible to view a piece of literature correctly, because we can only work within the hetero-normative paradigm.
D. It is impossible to separate a text from the linguistics that compose it.
A. It offers a strong outline for how theory can be conducted in the 21st century.
B. It should not be read or considered by any student or scholar.
C. It offers some valid ideas and critiques, but its author is not entirely trustworthy.
D. It offers a strong counterpoint to Jacques Derrida’s notion of deconstruction.
A. Elaine Showalter
B. Julia Kristeva
C. Lucy Irigaray
D. Hélène Cixous
A. It contains secret instincts and desires that are repressed.
B. It has little impact on human behavior.
C. It is the only significant aspect of the human psyche.
D. It can never be accessed.
B. Roland Barthes’s “The Death of the Author”
C. Jacques Derrida’s Of Grammatology
D. Jacques Lacan’s “The Mirror Stage …”
A. Texts are examined to see how colonizers and the colonized interact.
B. Texts are examined to see how the formal aspects of the text create meaning.
C. Texts are examined to determine how they reveal social realities.
D. Texts are examined to determine the author’s intent.
A. Literary theory engages with theoretical rather than real-world issues.
B. Literary theory asks fundamental questions about literary interpretation, and at the same time builds specific systems of literary interpretation.
C. Literary theory relies totally on speculation rather than history.
D. Literary theory is detached from the reality of politics and the economy.
A. TheWest spends too much time trying to consider an Asian perspective.
B. The West tends to look at Asian countries as individual units rather than lump them together.
C. The West views matters through its own limited historical position.
D. The West refuses to apply economic and political coercion to Asian writers.