A. Rupert Brooke
B. Rudyard Kipling
C. Karl Shapiro
D. Hart Crane
A. Rupert Brooke
B. Rudyard Kipling
C. Karl Shapiro
D. Hart Crane
A. Total freedom in choosing the subject
B. Striving for concentrated expression and imagery
C. Reliance on the language of common speech
D. Creative reliance on conventional poetic forms
A. This poem focuses primarily on the different experiences of black and white women.
B. This poem describes the relationship between a black woman and her child.
C. This poem is a conversation between a black woman and a child who is not yet born.
D. The poem is a conversation between a black woman and her ancestors.
A. Objectivist poetry
B. Futurist poetry
C. Imagist poetry
D. Vorticist poetry
A. The Italian Futurists were fascinated by the age of electric and chemical power, and they praised the beauty of automobiles.
B. The Italian Futurists lived within a quickly changing social world, and they praised speed.
C. Marinetti and other Italian Futurists supported Mussolini’s fascism.
D. All of these answers
A. Artifacts from foreign cultures which do not fit into the American cultural context
B. The broken dreams of the American émigré community in Paris
C. Old poetry
D. The failed attempt of modern poetry
A. It established an authoritative and unquestionable canon of African American poetry.
B. It inspired Harlem Renaissance writers to establish a tradition of African American poetry.
C. It presented African American writers to a previously indifferent white audience.
D. It provided literary criticism on African American poetry.
A. Langston Hughes’ “The Negro Speaks of Rivers”
B. Ezra Pound’s “Cantos”
C. T.S. Eliot’s “A Love Song of J. Alfred Prufrock”
D. T.S. Eliot’s “The Waste Land
A. Umberto Boccioni
B. Filippo Marinetti
C. Vladimir Mayakovsky
D. Aleksander Wat
A. Curiosity about the past
B. Deference to the past
C. Violation of the past
D. Paradoxically both B and C