A. Wordsworth’s
B. Coleridge’s
C. Dr. Johnson’s
D. Matthew Arnold’s
A. Mildred
B. Yank
C. The Secretary of I.W.W.
D. None of the above
A. Both sets of critics look for an objective way to view texts.
B. Both sets of critics study the underlying forms of texts.
C. Both sets of critics focus on evaluating literature in a scientific manner.
D. All of the above.
A. Allophones
B. Allomorphs
C. Minimal pairs
D. None of the above
A. William Beckford’s Vathek
B. Matthew Lewis’s The Monk
C. Tobias Smollett’s Roderick Randsom
D. Ann Radcliffe’s The Italian
A. Trauma theory
B. Ecotheory
C. Chaos theory
D. Formalism
A. Both include stacked tales in a single sequential narrative.
B. Both have courtly love as their central theme.
C. Both are designed in an episodic manner.
D. Both are usually intended to be sung as hymns.