A. D.G Rossetti
B. Swinburne
C. Christina Rossetti
D. Morris
A. As an aesthetic object that is independent of historical context
B. As an aesthetic object that is influenced by historical context
C. As a historical object that is also aesthetic
D. As a historical object that is not necessarily aesthetic
A. similar things
B. dissimilar things
C. elaborate comparison
D. contradictory things
A. He was a native New Yorker who did not travel much but who was keenly aware of New York’s complexity and diversity.
B. He moved to New York from Alabama and the stark contrast between these places deeply influenced his writing.
C. He was born in Missouri and traveled extensively throughout the United States and the world before he moved to New York City.
D. He spent most of his life in Washington, DC, moving to Harlem only after he gained literary fame.
A. Grandeur Thought
B. Genuine Emotion
C. Impassioned Utterance
D. Splendour Style
A. the neo-classical influence of Pope and Dryden
B. the clumsiness of Shakespeare’s plots
C. the Orientalist fantasies of Coleridge
D. Wordsworth’s devotion to the ordinary and everyday
A. The importance of men to the African American family.
B. The negative consequences of feminism on the African American family.
C. The importance of African religious influence in America.
D. The importance of African American craftsmanship.