A. Wolfe Tone
B. Charles Stuart Parnell
C. Father Arnall
D. Daniel O’Connell

A. it prevents exploration of the unconscious
B. it obscures the characters’ immediate thoughts
C. it allows for the introduction of plot snippets and new language
D. it makes the readers’ experience of the characters less intimate

A. allusions
B. jokes
C. portmanteaus
D. All of the Above

A. the last sentence and first sentence are circular
B. the novel has a traditional plot; nothing is particularly unique about it
C. the start of the book bears no resemblance to the end
D. the novel is clearly written from the future to the past

A. “Araby”
B. “The Dead”
C. A Portrait of the Artist as a Young Man
D. Finnegans Wake

A. the Book of the Dead
B. the Bible
C. Vico’s La Scienza Nuova
D. All of the Above

A. while Shem is a conformist, Shaun is a talented artist
B. while Shem would rather be a priest, Shaun is happy at his work
C. while Shem is a postman, Shaun is a artist and writer
D. while Shem is an artistic outsider, Shaun is a dull conformist

A. the impossibility of resurrection
B. the unconscious
C. unrequited love
D. the patterns of birth, life, and death

A. the characters’ preference for reality over dreams
B. the inability to distinguish between the “self” and “other”
C. the inability to experience guilt
D. the disconnection from primal senses and urges

A. The Bible
B. Wilde’s The Picture of Dorian Grey
C. Yeat’s “Who Goes with Fergus”
D. All of the Above