A. A noble person who becomes completely corrupted
B. A cowardly person who doubts himself or herself despite possessing great wealth and political power
C. A cowardly person who shows some personal strength when faced with a crisis
D. A noble person who makes a costly mistake

A. Epic theater is plot-driven theater.
B. Epic theater turns the passive spectator into an active observer.
C. Epic theater privileges feeling over reason.
D. Epic theater maintains the illusion of realism.

A. Another character
B. The protagonist
C. Society
D. All of these

A. Compares his love to a winter storm
B. Compares his love to a summer’s day
C. Compares his love to a turbulent sea
D. Compares his love to his fear of death

A. Emotional arguments
B. Political arguments
C. Deductive arguments
D. Inductive arguments

A. A narrative that emphasizes character development
B. A narrative with a unified, plausible plot structure
C. A narrative that conveys the illusion of reality
D. All of these

A. wanted to subvert middle class values.
B. accepted middle class values.
C. wrote in a hyperrealistic fashion.
D. had a negative view of human nature.

A. Simplicity in language, brevity in form, and humorousness in attitude
B. Complexity in language, lengthiness in form, and seriousness in attitude
C. Simplicity in language, lengthiness in form, and humorousness in attitude
D. Complexity in language, brevity in form, and humorousness in attitude

A. A narrative based entirely on verifiable facts
B. A narrative that does not analyze characters on a situation-by-situation basis
C. A narrative without characters
D. A narrative that takes place in the past.

A. a disturbed and insane man.
B. a man of tremendous humor, simplicity, and innate goodness and kindness.
C. a depressed but ultimately good and nonviolent man.
D. a wicked and manipulative man.