A. Samuel Richardson
B. Laurence Sterne
C. Daniel Defoe
D. Charles Dickens
A. Classification, order, and judgment
B. Romantic origins
C. Linguistic indeterminacy
D. Subjective experience
A. The sublime
B. The explained supernatural
C. Its medieval settings
D. Its use of mysterious events to spur readers’ interests and emotional responses
A. The need for linguistic correctness as exemplified in his Dictionary
B. The promise of universal knowledge as epitomized by the Encyclopédie
C. The ultimate impossibility of achieving hapess, as espoused in his poem “The Vanity of Human Wishes”
D. The need for self-sufficiency as detailed in novels like Robinson Crusoe
A. Industrial Revolution
B. French Revolution
C. Scientific Revolution
D. Technological Revolution
A. It provides access to the heroine’s innermost reactions.
B. It does not cloud the novel with authorial intrusion that confuses the emotions.
C. It provides a sense of immediacy because the letters are written in the thick of the action.
D. All of these answers
A. are an example of antithesis to suggest the falcon’s contradictory nature.
B. use alliterative language to draw attention to the falcon’s importance as a symbol of Christ.
C. refer to the speaker’s heart.
D. indicate the speaker’s lack of faith.
A. It focuses on a royal hero.
B. It denies being imagined in favor of claims of realism.
C. It focuses on adventures.
D. It connects to poetry.
A. His relationship to God and Christianity
B. His understanding of the basis of economics
C. His ability to identify with the slaves he has sold
D. Both A and B
A. its focus on his lost love.
B. its rejection of scientific progress.
C. its elaboration of the intersecting importance of nature and the imagination.
D. its development of elements from national folklore.