A. Critical faculty
B. Modifying power
C. A psychological experience
D. A product of intellect
A. national identity
B. political conflicts
C. urban and european vs indigenous and rural
D. All the above
A. Fiesta
B. The Assistant
C. The Sea in Being
D. Farewell to Arms
A. Coleridge
B. William Wordsworth
C. John Ruskin
D. Schegell
A. Robert Frost
B. Emily Dickinson
C. Mark Twain
D. Walt Whitman
A. The narrator’s attempt to stay hidden.
B. The narrator’s desire to be safe.
C. The narrator’s invisibility to society.
D. The narrator’s attempt to stay out of prison.
A. Othello
B. Volpone
C. King Lear
D. Antony and Cleopatra