A. Aeschylus
B. Sophocles
C. Euripides
D. Seneca
A. The examination of structures informing our conscious experience
B. The examination of desires informing our consciousness
C. The examination of our unconscious experience
D. The examination of intricate structures within our unconscious
A. Language
B. Parole
C. performance
D. Both parole and performance
A. France’s war with a foreign nation
B. The mass execution of enemies of the revolution
C. Napoleon’s rise to power
D. The death of the king of France
A. Being overworked in menial jobs having to raise large families
B. Being a subordinated woman in a male dominated culture and a member of a suppressed minority race in the middle of a dominant white culture
C. Having little formal education with little access to publishers
D. Being ignored by a traditional poetry reading public because what they wrote about was the travails of subsistence living
A. texts are always heterogeneous.
B. the instability of a text is actually evident in the text itself.
C. any system for the production of meaning is inevitably bound by context, yet also limitless.
D. All of the above.
A. Macbeth
B. Hamlet
C. As You like It
D. Othello